LEE WELCH (IRL/USA) completed an MFA at the Piet Zwart Institute, Rotterdam and gained his BFA from the National College of Art and Design, Dublin. He has received support from the Arts Council, Culture Ireland and Dublin City Council. He is currently in the International Residential Studio at the Red Stables, Dublin.
He has recently received the Banff Residency at The Banff Centre, Canada (2010) and his work has been featured in numerous exhibitions, most recently Screening Room: Dublin - Kölnischer Kunstverein, Cologne, Germany; Amikejo, Museo de Arte Contemporáneo de Castilla y León (MUSAC), León, Spain; (WHOOPEE) we're all going to die, Pallas Projects, Dublin, Ireland; The Marriage of Reason and Squalor, II, Telephone Booth, Rotterdam; WordPerfect, NoPlace, Oslo, Norway; Love Letter To a Surrogate Stage II, Muhka, Antwerp, Belgium (2011); Clifford Irving Show, Objectif Exhibitions curated by Raimundas Malasauskas, Antwerp, Belgium; A Whole New Ball Game, Banff Centre (2010); Non-knowledge, Project Arts Centre, Dublin (2008); Claremorris curated by Lizzie Carey-Thomas (2008).
Welch lives and works in Dublin, Ireland & Rotterdam, Netherlands.
This is not just yellow...
John Alton: Have you ever learned anything about your work from a critic?
Raymond Carver: No. No review I've ever read concerning my work has changed the way I've written or even changed the way I've thought about myself or my stories.
John Alton: It doesn't tell you anything new?
Raymond Carver: No it doesn't. And if you start to believe the laudatory reviews, then you have to believe the other ones as well, perhaps.
John Alton: So the primary concern you have is telling the truth the way you see it?
Raymond Carver: Yes.
Max Roach's last performance at the 50th anniversary celebration of the original Massey Hall concert, in Toronto, where he performed solo on the hi-hat. May 15, 1953
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I am not sure how this is supposed to work…
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Let me see it.
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Does this have something to do with it?
yellow To continue reading This is not just yellow... Click Here
Now I know how looks milk.
2010 To read a letter from Arnold Schoenberg Click Here
A Casual Conversation
Image credit: Example E.28. The Emotional Solidarity of Ape and Man (Catching up-the emotions of his human friend) Nadezhda N. Ladygina Coates Moscow, 1935
2010 Situation: Sitting with a group of people (a meeting, a cocktail party, a casual conversation, whatever) and one of the people in the group feels really strongly about the topic, seems to know more than the others, or has significant power over the fortunes of the others. You have something important to contribute that might contradict the prevailing wind of discussion, might add a relevant overlooked fact, or might just force the group to consider the merits of an alternative course of action. What determines whether or not you speak your mind?
A sense of uncertainty develops; multiple references unfold gradually over time ensuring that meaning is perpetually evolving and mutating. Welch uses this area of confusion to investigate the complex, shifting and often contradictory relationships between people and their environments and the links between nature, culture and the commodified world.
2010 To read An Anonymous Report on A Casual Conversation with Lee Welch October 13, 2010 Click Here
To read The Nature of Belief (A scripted conversation with an audience) Performed during A Casual Conversation October 13, 2010 Click Here
A Whole New Ball Game
The Game
A Whole New Ball Game played host to the launch of ANAL, a modest black and white periodical along with props, performances and lectures in midst of a basketball game.